OK Seungcheol interestingly deals with the issues of originality and uniqueness in the context of post-digital or internet art. His characteristic original work, made by using a computer as his primary tool, is a vector image. It is an output on a unique platform in various media and formats such as sculpture, painting, and video. Moreover, the artist transforms the so-reproduced digital image again into a regular form of painting, sculpture, and video work. In this regard, the process of Seungcheol Ok’s work itself, as Jean McHugh says, re-contextualizes the customs of art with the customs of the Internet- drawing forth several questions about the requirements of contemporary art.

OK Seungcheol(b.1988) lives and works in Seoul. He has held solo exhibitions including TROPHY(KICHE, Seoul, 2023), 2022 Art Sonje Project #2: Create Outlines(Art Sonje Center, Seoul, 2022), JPEG SUPPLY(Gallery Kiche, Seoul, 2020) and UN ORIGINAL(Gallery Kiche, Seoul, 2018). The artist has staged various group exhibitions such as Smooth Stone Field 2(Schema Art Museum, Cheongju, 2023), DMZ Exhibition: Checkpoint(DMZ Paju, Paju, 2023), Spirals, Loops, Mutants(K11 Shanghai, Shanghai, 2023), Linked(Gallery Func, Shanghai, 2022), Aftereffect(Nook Gallery, Seoul, 2022), Trauma: Shooting the Pulitzer + 15minutes (Daejeon Museum of Art, Daejeon, 2021),  The Promised Land at The Great Collection(Seoul, 2021), IRL at Unit London (London, 2020), Yes/No/Like/Dislike/Love/Hate/Reply/Share: The Portrait of Korean Pop Culture 2000-2020 at Art Delight(Seoul, 2020), Pop/Corn at the Daegu Museum of Art (Daegu, 2019) and Triangular Zone at Platform L Contemporary Art Center (Seoul, 2019).